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Interior designer Jeff Schlarb has created a New York pied-à-terre for a homeowner who moved from San Francisco and wanted a distinct East Coast home. The apartment uses a black, white and cream palette, expressive furnishings and collected artwork, while its kitchen and bedroom take a quieter approach.
Interior designer Jeff Schlarb has designed a New York pied-à-terre for a homeowner who relocated from San Francisco, giving her East Coast base a bolder, more expressive look than the classic blue-and-white scheme of her previous home. The project matters as a residential design case study in how a second home can reflect a different side of a client without abandoning a personal connection to the designer.
According to Livingetc’s report, Schlarb had already designed the owner’s San Francisco residence. For the New York apartment, the brief called for a modern home that felt confident, playful and personal, with custom furnishings, layered materials and art connected to the homeowner’s interests in fashion, photography and female artists.
The living room makes the strongest visual break from the earlier home. Its palette draws on the black, white and cream veining of the adjoining kitchen’s marble, rather than introducing a wholly unrelated color scheme. Custom swivel chairs in Harlequin’s Moremi Zebra fabric add a graphic pattern, while rounded forms—including a Tom Faulkner Lily Ottoman Coffee Table—soften the arrangement. A deep wine-colored sofa, reupholstered in Dedar fabric, adds warmth.
Other details include a sculptural Halti light by Cameron Design House, custom cabinetry by Rift Studio that conceals the media system, and artworks credited to Tony Fey and Natalia Nicole Rodriguez. The kitchen is more restrained, with veined marble, white cabinetry and darker flooring. In the bedroom, dusky sage walls frame works by Dina Broadhurst and Heather Knight; a custom bed includes built-in drawers, and a tailored sofa brings in a softer blush tone.
A Second Home With Its Own Character
The project illustrates a practical design challenge for people who maintain homes in different cities: a new space can feel distinct without becoming disconnected from the owner’s tastes. Here, the designer used different color, pattern and furniture choices to make the New York apartment feel unlike the San Francisco residence, while a consistent emphasis on personal art and considered materials ties the spaces to the same client.
For readers interested in interiors, the report also shows how a shared material can connect rooms with different moods. The kitchen marble informed the living room’s palette, while the living area’s sculptural shapes and stronger upholstery supplied the energy the client wanted. That approach offers a specific example of balancing visual contrast with continuity, rather than making every room match or treating each space as unrelated.
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From San Francisco to New York
The homeowner had moved from San Francisco to New York and wanted her new East Coast base to express a different aesthetic. Her earlier home, also designed by Schlarb, had a classic blue-and-white palette. The new commission therefore built on an existing working relationship, but not by reproducing the earlier design.
Schlarb, founder of Jeff Schlarb Design Studio, described the second collaboration as an opportunity to understand what mattered to the client while finding a new way to express it. The published account focuses on the apartment’s interior design and credited furnishings and artwork; it does not provide details about the building, the project’s cost, or the timing of the move.
“The beauty of a second collaboration is knowing what matters to someone while finding a new way to express it.”
— Jeff Schlarb, as quoted by Livingetc
Project Details Not Reported
The available report does not state when the apartment was completed, how much the work cost, or whether the owner uses it as a full-time residence or primarily as a pied-à-terre. It also does not give the homeowner’s name or include her direct comments about the finished space.
The design descriptions and project details are attributed to Livingetc’s feature and its credited designer and images. The account does not provide independent information about the sourcing, availability or current prices of the named furnishings and materials.
No Further Project Milestone Listed
The source presents the apartment as a completed design project and does not announce a forthcoming renovation stage, sale or other milestone. The next available information would depend on any further statements or project details shared by the homeowner, Schlarb’s studio or Livingetc. For now, the reported details center on the design choices: a more expressive living room, a restrained marble-led kitchen and a bedroom built around collected artwork and discreet storage.
Key Questions
Who designed the New York pied-à-terre?
Jeff Schlarb, founder of Jeff Schlarb Design Studio, designed the apartment. He had previously designed the owner’s San Francisco residence.
How does the New York apartment differ from the San Francisco home?
The San Francisco home had a classic blue-and-white palette. The New York apartment instead uses black, white and cream, with graphic patterns, sculptural furniture and richer upholstery.
What connects the apartment’s living room and kitchen?
The kitchen marble helped set the black, white and cream palette carried into the living room. The kitchen remains more restrained, while the living room uses more expressive furnishings and art.
What artwork and artists are mentioned?
The report names works by Tony Fey and Natalia Nicole Rodriguez in the living area, and by Dina Broadhurst and Heather Knight in the bedroom. The homeowner is described as interested in female artists and makers.
When was the apartment completed, and what did it cost?
The source does not provide a completion date or project cost, nor does it identify the homeowner by name.
Source: livingetc.com
