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Veranda published a collection of 70 living-room paint colors, pairing shades with designer projects that show how color works alongside furnishings, art and natural light. The examples range from soft neutrals and muted blues to vivid greens and dark, glossy tones; the source does not identify a single color as the preferred choice.
Veranda has published a report featuring 70 living-room paint colors, with examples from designers’ projects showing how shades from butter yellow and muted blue to cola and ink black can shape a room. The collection is a source of color ideas rather than a survey establishing which paints designers prefer most.
The report connects paint colors to specific interiors and explains the choices in relation to each room’s furnishings, architecture, light or views. In a New England Shingle-style home in Virginia, designer Mark D. Sikes used Dorset Cream by Farrow & Ball for walls that complement refurbished cream drapery and darker wood furniture. In a New Orleans parlor, decorator Ware Porter chose Light Blue by Farrow & Ball as a calm backdrop in a room with abundant window light.
Other examples make the case for more saturated colors. Dallas design firm Redd Kaihoi used a custom cola-colored wall treatment alongside floral upholstery and silk taffeta curtains. In an Alabama cottage, architect Bobby McAlpine and partner Blake Weeks chose Black Magic by Sherwin-Williams, an inky black, with the stated aim of keeping attention on the lake view. New York designer Young Huh used Salisbury Green by Benjamin Moore in a parlor with salmon-pink upholstery.
The selection also includes shades between those extremes: duck-egg blue, muted lavender, blue-green, rich brown, stone blue, smoky teal, dusty violet and gray-beige. Veranda’s examples include paint that changes in appearance with daylight, colors that echo the landscape, and hues used to tie adjoining rooms together. The source presents individual projects, not standardized tests of paint performance or a ranking of the 70 shades.
How Designers Use Color at Home
The report gives readers concrete ways to think about a paint choice beyond its name or a small color sample. A room’s natural light, view, furnishings and existing finishes all affect how a wall color reads. The New Orleans example, for instance, links a muted blue to a bright parlor, while the Alabama cottage pairs dark walls with a lake-facing setting.
The range also pushes against the assumption that living-room walls must be white or beige. In the examples, deep brown, black, purple and green sit alongside antiques, patterned upholstery and artwork. That does not mean every shade will suit every room: the source offers project-specific inspiration, and the final result depends on the home and its lighting.
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The Projects Behind the Palette
Veranda’s report is organized around examples of completed interiors rather than a single palette or design rule. The supplied material describes a Virginia residence, a New Orleans parlor and townhouse, a Dallas living room, a New York parlor and apartment, and a California wine-country den, among other spaces. Each example names a designer or paint color in at least some cases and describes how it relates to the room.
Several projects use color to connect the interior with its surroundings. Chairish co-founder Anna Brockway’s New York apartment, designed by Elizabeth Cooper, uses a bright green paint from Fine Paints of Europe in both the living and adjacent dining rooms, echoing chartreuse seen outside. In a California great room designed by Melinda Pakzad and Lee Poole, pure white walls set off leafy green silk and the garden beyond. These are illustrations of individual design decisions, not evidence of a broader industry trend.
“Blue-green makes me happy.”
— Designer Meredith Ellis, as quoted by Veranda
What the Color List Does Not Establish
The supplied report excerpt does not provide the full text of all 70 entries, publication date, or details about how the colors were selected. It also does not define what “designers can’t get enough of” means or establish that the colors are widely preferred across the profession. The headline should be read as editorial framing, not as a measured finding.
Paint appearance can vary with light, room orientation, surface finish and surrounding materials, but the supplied material does not provide controlled comparisons, application guidance or product-performance data. Readers cannot infer from these examples that a named shade will look the same in another home.
Choosing a Shade for Your Room
For readers using the report as a starting point, the next step is to compare candidate shades in the actual room rather than relying only on a photograph. Check samples at different times of day and alongside the furniture, flooring and fabrics that will remain. The examples suggest questions to ask—whether a wall should recede behind art, echo an outdoor view or add contrast to patterned upholstery—but do not prescribe one answer.
Veranda’s article is the development reported here; the supplied source gives no announcement of a follow-up ranking or further testing. Any decision to buy paint remains specific to the reader’s space and preferences.
Key Questions
What did Veranda publish?
Veranda published a report titled “70 Living Room Paint Colors Designers Can’t Get Enough Of,” featuring paint shades and examples from designer projects. The supplied source does not include the full details for all 70 entries.
Which paint colors are named in the source?
Named examples include Dorset Cream and Light Blue by Farrow & Ball, Salisbury Green by Benjamin Moore, and Black Magic by Sherwin-Williams. The report also features color families such as cola, duck-egg blue, muted lavender and gray-beige.
Does the report prove these are designers’ most popular colors?
No. The supplied material describes selected projects and uses that language in the article headline, but it does not give survey results, sales figures or another measure of popularity.
How can I tell whether a color will work in my living room?
Try samples in the room and view them at different times of day, next to the furnishings and finishes that will stay. The projects in the report show that light, views and surrounding colors can affect how a paint shade appears.
Source: veranda.com
